Desire is Dead
Through a playful juxtaposition of artworks, the exhibition seeked to tease out the erotic presences, complexities, and potentialities in Singapore’s midst, where a plenitude of desire surrounds us every day and everywhere, shaping the way we view the world and ourselves.
The exhibition was configured such that it is as much a visual showcase as it is a spatial exercise enacted bodily through artworks that engages audiences sensorially or require audience interaction. Watch a short video HERE to hear about the curator Adele Tan’s take and inspiration behind this.
![](https://freight.cargo.site/t/original/i/d14147f61c4a3d8bd92fc2989879851d7e754ab36a2616d19e28dabe7c789a36/Guo-Liang-Tan--Tender-Button--2017_Credit-to-Benjamin-Tan_2.jpg)
Tender Button, 2017
Tan works primarily in the field of painting and text. In his work, the painterly and the textual act as surfaces for performing effects that can conjure a haunting or a promise. Gaps and overlaps, traces and fragmentation feature prominently in Tan’s making process, creating projections and disruptions that map out territories of desire.
Artist:
Guo-Liang Tan
Courtesy of:
The Yan Collection
Acrylic on Fabric
91.5 x 76.1 cm
Guo-Liang Tan
Courtesy of:
The Yan Collection
Acrylic on Fabric
91.5 x 76.1 cm